Кибермузеология: публикации

Если смотреть по всему спектру использования цифровых технологий в музее, первые сборники статей появляются с конца 1990-х годов и с 2004 года заметен устойчивый рост публикаций: 

• Jones-Garmil, K., & Anderson, M. (Eds.). (1997). The Wired Museum: Emerging technology and changing paradigms. Washington, DC: American Association of Museums; 
• Oberländer-Târnoveanu, I. (Ed.). (2004). Museum and the Internet: Presenting Cultural Heritage Resources Online. Selected Papers from the International Summer Course in Buşteni, Romania, 20 – 26 September, 2004; 
• Marty, P. F., & Jones, K. B. (Eds.). (2007). Museum Informatics: People, Information, and Technology in Museums. New York, London: Routledge.; 
• Din, H., & Hecht, Ph. (Eds.). (2007). The Digital Museum: A Think Guide. Washington: American Alliance of Museums Press; 
• Cameron, F., & Kenderdine, S. (Eds.). (2007). Theorizing Digital Cultural Heritage: A Critical Discourse (Media in Transition). Cambridge, MA: the MIT press.; Tallon & Walker, 2008; 
• Parry, R. (Ed.). (2010). Museums in a Digital Age (Leicester Readers in Museum Studies). UK, USA, Canada: Routledge; 
• Proctor, N. (Ed.). (2011). Mobile Apps for Museums: The AAM Guide to Planning and Strategy. Washington, DC: The AMM Press.; 
• Giaccardi, E. (Ed.). (2012). Heritage and Social Media: Understanding heritage in a participatory culture. London: Routledge; 
• Stewart E. P., Allen-Greil, D., & Tench B. (2012). Conversations with Visitors: Social Media and Museums. USA: MuseumsEtc.; 
• Drotner, K., & Schrøder, K. Ch. (Eds.). (2013). Museum Communication and Social Media: The Connected Museum (Routledge Research in Museum Studies). USA, UK: Routledge; 
• Greisinger, S., & Gries, Ch. (Eds.). (2013). All You Tweet Is Love: Tweetups in Kultureinrichtungen. Bonn: 11 punkt Verlag.

С 2005 года начинается публикация монографий, написанных одним, двумя или тремя авторами, что демонстрирует рост более узко направленных исследований:

• Cohen, D. J., & Rosenzweig, R. (2005). Digital History: A Guide to Gathering, Preserving, and Presenting the Past on the Web. Philadelphia: University of Pennsylvania Press.
• Ronchi, A. M. (2009). e-Culture. Cultural Content in the Digital Age, Springer. Heidelberg, Springer-Verlag Berlin Heidelberg. 
• Harvey, R. (2010). Digital Curation: A How-To-Do-It Manual (Number 170). New York, NY: Neal-Schuman Publishers. 
• Graham, B., & Cook, S. (2010).Rethinking Curating: Art after New Media. Cambridge (US), London (UK): The MIT Press. 
• Landon, K., Wallis, C., & Davies, P. (2010).Twitter for museums: Strategies and Tactics for Success. A collection of essays. Edinburgh: MuseumsEtc.
• Lu, D., & Pan Y. (2010). Digital Preservation for Heritages: Technologies and Applications. London, New York: Springer Heidelberg Dordrecht.
• Miller, S. J. (2011). Metadata for Digital Collections: A How-To-Do-It Manual. New York, NY: Neal-Schuman Publishers. 
• Tanner, S. (2012). Measuring the Impact of Digital Resources: The Balanced Value Impact Model. UK: King’s College London. 
• Pajares, J. L., & Solano, J. (2012). Museos del futuro: el papel de la accesibilidad y las tecnologías móviles. Madrid: GVAM. 
• Smith Bautista, S. (2013). Museums in the Digital Age: Changing Meanings of Place, Community, and Culture. USA, UK: AltaMira Press. 
• Corrado, E. M., & Moulaison, H. L. (2014). Digital Preservation for Libraries, Archives, and Museums. USA: Rowman & Littlefield Publishers. 
• Koontz, Ch., & Mon M. (2014). Marketing and Social Media: A Guide for Libraries, Archives, and Museums. Lanham: Rowman & Littlefield Publishers

Особое внимание обращают на влияние цифрового на музейную работу следующие книги, которые можно считать наиболее близкими именно к теоретическому полю «кибермузеологии», как я её ранее определила:

• Graham, B., & Cook, S. (2010).Rethinking Curating: Art after New Media. Cambridge (US), London (UK): The MIT Press. 
• Tanner, S. (2012). Measuring the Impact of Digital Resources: The Balanced Value Impact Model. UK: King’s College London. 
• Smith Bautista, S. (2013). Museums in the Digital Age: Changing Meanings of Place, Community, and Culture. USA, UK: AltaMira Press.
• Johnson, L., Adams Becker, S., Witchey, H., Cummins, M., Estrada V., Freeman, A., & Ludgate, H. (2012). The NMC Horizon Report: 2012 Museum Edition. Austin, Texas: The New Media Consortium. 
• Johnson, L., Adams Becker, S., & Freeman, A. (2013). The NMC Horizon Report: 2013 Museum Edition. Austin, Texas: The New Media Consortium. 

Наиболее исследуемой темой взаимоотношений музея и цифровых технологий можно считать использование музеями интернет технологий, особенно социальных медиа:

• Oberländer-Târnoveanu, I. (Ed.). (2004). Museum and the Internet: Presenting Cultural Heritage Resources Online. Selected Papers from the International Summer Course in Buşteni, Romania, 20 – 26 September, 2004; 
• Cohen, D. J., & Rosenzweig, R. (2005). Digital History: A Guide to Gathering, Preserving, and Presenting the Past on the Web. Philadelphia: University of Pennsylvania Press;
• Landon, K., Wallis, C., & Davies, P. (2010).Twitter for museums: Strategies and Tactics for Success. A collection of essays. Edinburgh: MuseumsEtc; 
• Giaccardi, E. (Ed.). (2012). Heritage and Social Media: Understanding heritage in a participatory culture. London: Routledge; 
• Stewart E. P., Allen-Greil, D., & Tench B. (2012). Conversations with Visitors: Social Media and Museums. USA: MuseumsEtc.; 
• Drotner, K., & Schrøder, K. Ch. (Eds.). (2013). Museum Communication and Social Media: The Connected Museum (Routledge Research in Museum Studies). USA, UK: Routledge; 
• Greisinger, S., & Gries, Ch. (Eds.). (2013). All You Tweet Is Love: Tweetups in Kultureinrichtungen. Bonn: 11 punkt Verlag.
• Koontz, Ch., & Mon M. (2014). Marketing and Social Media: A Guide for Libraries, Archives, and Museums. Lanham: Rowman & Littlefield Publishers